 |
|
||||||||||||||||
 |
|||||||||||||||||
 |
|||
 |
Puebla Puebla Cathedral (Cathedral of Our Lady of the Immaculate Conception) 
Construction began in 1575 on the site of a former pre-Hispanic ceremonial site, it was placed on that site to signify the dominance of the Catholic Church over indigenous traditions. The cathedral was intended to be a grand structure, larger and more imposing than most cathedrals in New Spain. The original design by Francisco Becerra is a blend of Renaissance and Baroque styles, but modifications were made by later architects to enhance the cathedral's grandeur. The construction faced numerous political, economic, and logistical challenges, causing significant delays. The project was suspended multiple times, and it took nearly 100 years for the cathedral to be fully constructed. The cathedral was consecrated on April 18, 1649, even though the facades and towers were still missing, and it took until 1690 for it to be completed. With its two bell towers, each standing 69 meters (226 feet) high, they are among the tallest in Mexico. They are topped with spires and contain intricate carvings and elaborate decoration giving them a Baroque style.  The dome is an impressive example of Baroque architecture, contributing to the grandeur and beauty of the cathedral. The facade, constructed of local grey quarry stone, displays symmetry and simplicity. It features clean lines and minimal ornamentation, which was typical of the Renaissance style. It is divided into three main sections, with a central entrance flanked by two tall bell towers. The central main entrance features several columns and pilasters adorned with intricate carvings and details consisting of numerous statues of saints and religious figures. The statues are placed in niches and on ledges, adding a three-dimensional aspect to the surface.  On entry, the interior contains a nave and a wide aisle either side. From the aisle are 14 chapels dedicated to various saints and religious figures. The chapels contain sculptures, paintings and altarpieces that reflect the Baroque style.  The nave is a grand spacious area which is designed to accommodate a large congregation. It is lined with tall, elegant columns that support the high vaulted ceiling and a central dome. The dome is particularly impressive with its detailed artwork and architectural design that allows light to filter in to illuminate the interior. One of the most striking features of the cathedral is the main altar. This was designed by the renowned Spanish architect Manuel Tolsá in Neoclassical style in the late 18th century. Adorned with statues of saints and religious figures. In the centre of the altar is a large statue of the Virgin Mary, to whom the cathedral is dedicated. She is depicted in a pose of grace and serenity, surrounded by angels and other religious symbols. Around the altar are elegant, tall, fluted columns that give it a sense of grandeur and stability. These columns are adorned with intricate carvings and gold detailing, Intricate sculptures, and lavish gold detailing and includes relics that hold significant spiritual value.   The cathedral houses two pipe organs, which are considered some of the finest in Latin America.
|
 |
|
 |
|||
All Photographs were taken by and are copyright of Ron Gatepain
| Site Map |